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This was also a redress of the one that had been used on Star Trek: The Next Generation, in this case for the quarters of junior officers and enlisted crew. The production crew of Star Trek: Phase II had only erected the walls of Kirk’s quarters when the show was canceled and produced shifted to The Motion Picture.
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There was another set on Stage 9 without windows, implying it was deeper inside the ship. They were the primary means of transport for the crew of the DS9 station.
STAR TREK CREW QUARTERS SERIES
There were some elements that were the same, but we would give everyone something different so the rooms had a personality. Runabouts are a class of small, multi-purpose starships in the Star Trek science-fiction franchise, primarily the television series Star Trek: Deep Space Nine, which aired on syndicated television between 19. (ST reference: Star Fleet Technical Manual) In the 2250s and 2260s the primary hulls of a Class I starship (Constitution. The typical accommodations on the MK-IV Starliner contained two beds, a desk and a bathroom. Residential spaces on Starfleet starships, space stations, and planetary installations were referred to as quarters. The beams made niches in the walls and a lot of the furniture could play into those niches and come and go.Įach character had their own furnishing, James said. Quarters, in military parlance, refers to housing accommodations. Of course, Janeway had, I think, four bays.
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How big it was would depend on the importance of the character. Production Designer Richard James told Star Trek: The Magazine (November 2000) that the main set, situated across the mess hall on Paramount’s 9, was permanent, but that the interior walls had beams across the top with channels where walls could slide in and out.Įach segment we called a “bay.” Because the design was modular, you could give it two bays, three bays or one bay. The five Star Trek television series and nine major motion pictures all feature the intergalactic adventures of various crews of. As on Star Trek: The Next Generation, the art department adopted a modular design that could be adapted as needed for each member of the crew or a ship’s guest on an episode-by-episode basis. The team carpeted the wall and Minor remembered it was Production Designer Joe Jennings who came up with. The production crew of Star Trek: Phase II had only erected the walls of Kirk’s quarters when the show. Voyager‘s design blueprints placed the crew quarters around Decks 4 to 8 in the upper saucer section. From Kirk’s to Data’s Quarters Kirk’s quarters.